Location: Rome, Flaminio, Italy
Year of completion: 2009
Photographs: Iwan Baan
As declared by the architect, the museum is ‘not a object-container, but rather a campus for art’, where flows and pathways overlap and connect in order to create a dynamic and interactive space. Although the program is clear and organized in plan, flexibility of use is the main goal of the project. Continuity of spaces makes it a suitable place for any kind of moving and temporary exhibition, without redundant wall divisions or interruptions. Entering the atrium, the main elements of the project are evident: concrete curved walls, suspended black staircases, open ceiling catching natural light. By these elements Zaha Hadid intended ‘a new fluid kind of spatiality of multiple perspective points and fragmented geometry, designed to embody the chaotic fluidity of modern life’.
The museum participates actively to the location – Rome, and its first outskirt, not a part of the old centre, but still central. The Flaminio neighbourhood has been interested in the last years by a renovation program of public attraction, the latest being the Auditorium by Renzo Piano. The long MAXXI construction process completes the idea of a renewed city. Moreover, MAXXI is the first national museum of contemporary art in Italy. It will bring a lot of attentions, by public and media, together with economical activities, rendering this museum a central point for Rome, which is in constant look for its contemporary identity.
Resources: archdaily
Photographer: Iwan Baan
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